NEWS VALUES

 


All news sources have their own news agendas. These dictate the stories that receive top priority in the broadcast, edition, site/app. Some of these news value can be adapted to specific sectors such as entertainment magazines, celebrity magazines, fashion and trend-based websites. Their ideology may be very different to a mainstream news provider. News providers of all kinds select the news that they believe to be most relevant to their audiences in order to maintain them. This is sometimes offset against the demands of ownership and control as well as advertisers. 

News stories are selected based on;

1. Negativity

‘Hard’ News - bad news will almost always be prioritised. 

2. Proximity

Things that happen close to home (domestic news) or that involve people from a local area.

3. Recency 

“Breaking News’

4. Currency

The ‘value’ of a story. If it is useful for people. 

5. Continuity

Stories that are likely to continue for a long time.

6. Simplicity

The easier the story is to understand, the better. 

7. Personality

Often ‘soft’ news surrounds personalities in whom the public has an interest eg. Royal family, celebrities, athletes

8. Uniqueness

If a story is unusual or surprising 

9. Expectedness

Includes diary events - things that happen at a particular time of the year. 

10. Elite nations/people

Western societies such as European countries and the USA will tend to dominate the news. 

11. Exclusivity

When a news channel has footage or information that is not yet in possession of others. 

12. Threshold

How many people are impacted on by an event.


Detik, Trans Media (‎CT Corp‎)‎


(Title)
Perintah Jokowi dan Mega Diungkit Ganjar Usai PDIP Beri Sanksi

- Proximity - Related to Indonesia, located in Indonesia
- Personality - Shows the President of Indonesia
- Threshold - Election, affects everyone in the country, potentially the world
- Currency - Useful for people allowed to vote

US Magazine, American Media Inc.


(Title)
Kourtney Kardashian and Travis Barker Buy $14.5M Santa Barbara Beach House After Revealing They Don’t Live Together

- Negativity - Revealing holes in relationship
- Personality - Contains celebrities
- Continuity - We expect an update on their life together


Binary Opposites and 5 Narratives Codes


What We Do In The Shadows is an American mockumentary, comedy-horror television series created by Jemaine Clement that premiered March 27, 2019, on the FX channel. The series follows four vampire roommates in Staten Island, and stars Kayvan Novak, Matt Berry, Natasia Demetriou, Harvey Guillén, and Mark Proksch.

The first episode introduces us to the main cast of characters, Guillermo (Harvey Guillén), who is a human who serves as Nandor the Vampire's (Kavyan Noyak) familiar, which is the shows interpretation/representation for what is essentially a slave who serves a Vampire. We are also introduced to 3 of Nandor's vampire companions/housemates, Lazslo (Matt Berry), Nadja (Natasia Demetriou), and Colin (Mark Proksch). The pilot episode follows them around the house, introduces us to who the characters are and how they got to where they are, and shows their day-to-day routine around Staten island.

After watching the pilot episode, we can identify the key binary opposites and narrative codes that the producers have used to convey meaning. First of all, the binary opposites include: 

Binary Opposites

Supernatural vs Natural

This is primarily shown by Nandor and Guillera. Nandor can be described as a supernatural being due to him being a vampire. Vampires are often are immortal, and have superhero-like powers. Compare this to a human like Guillero who is just a natural being/person caught up in the life of vampires, we can clearly see how he appears weak and powerless compared to someone like Nandor, Nadja, Lazslo or even Colin. This comparison also applies to all the other humans that appear in the episode, especially the ones that were eaten and killed by Nadja and Lazslo. The humans' helplessness and inability to stand their ground against a vampire truly portrays and conveys how weak we humans really are.

Modernism vs Traditionalism

This pair of opposites is heavily featured throughout the episode as we witness the stark contrast between the traditional Victorian-era vampires who are stuck up on their old-fashioned ways, and the world around them that has progressed and evolved far more than they have, without them realizing. For example, the usage of credit cards for payment, automobiles for transportation, etc, and how the vampires seem clueless/unwilling to accept how the world has changed.

Man vs Nature

Good vs Evil

Hunger vs Greed

5 Narratives Codes

Hermeneutic code

The hermeneutic code featured throughout the episode involve the suspense and mystery created by wanting to know "What's in the letter?", "Who's being kept in the basement?", and "Who is the Baron?"

Proairetic code

Action codes that are used throughout the episode include the vampires bickering and arguing with each other, Nadja and Lazslo killing humans and sucking their blood, Nadja stalking Jeff and many more. All these codes are used to propel the plot forward in some way by leading to unforeseen consequences and thus even more proairetic codes.

Semantic code

Semantic code that is incorporated in the episode include the vampires talking with heavy accents. This conveys how they are not in their natural environment and how they are outsiders here in Staten Island.

Symbolic code

Symbolic code is shown throughout the episode quite frequently and include the clothes that the vampires wear, vampires sucking blood, fangs, and vampires not being able to withstand sunlight. All these codes have been built over the course of decades upon decades that they have become the norm and have essentially led the audience to become desensitized to what these characteristics and behaviours of vampires.

Cultural code

The cultural codes included in this TV show are concepts and ideas of vampires. This "vampire culture" has existed for over a century ever since the first vampire stories were created. Thus, to understand the plotline, and the characters themselves, one must have a preconception of what vampires are like from media such as the Twilight series, the Hotel Transylvania series, Dracula, Vampire diaries, etc. The ideas of what vampires look like, the fact that they drink blood, can turn into bats, etc, would not make sense unless you are familiarized with the cultural codes of vampires created by the media throughout the last century.


Identity Theory - David Gauntlett


Young women and material consumption

How has the identity been constructed?

A famous young woman celebrity influence that goes by the name of Billie Eilish is shown to be wearing expensive, luxurious, and designer clothing. The identity is constructed because Billie Eilish is only 20 years old by the year 2022 wearing "Gucci" clothes, and influencing other young women to be materialistic in order to be similar to women they idolize. 

VOGUE Magazine, published by Condé Nast


How has the identity been constructed?

A famous young woman celebrity influence that goes by the name of Olivia Rodrigo is shown to be wearing expensive, luxurious, and designer clothing. The identity is constructed because Olivia Rodrigo is only 19 years old by the year 2022 wearing "Marc Jacobs" clothes, and influencing other young women to be materialistic in order to be similar to women they idolize. 

TEEN VOGUE Magazine, published by Condé Nast, Advance Publications


How has the identity been constructed?

A famous young K-Pop Idol that goes by the name of Lalisa Manoban or "Lisa" is shown to be wearing expensive, luxurious, and designer clothing. The identity is constructed because Lisa is only 25 years old by the year 2022 wearing "Celine" clothes, and influencing other young women to be materialistic in order to be similar to women they idolize. 

VOGUE Magazine, published by Condé Nast




What are the readings of the text?

Preferred Reading: The clothes used are nice

Negotiated Reading: The fashion concept is nice, however cheaper options are available

Oppositional Reading: The clothes are too expensive and ugly.


What effect does this have on the audience?

Good: Improve fashion

Bad: Promote materialistic lifestyle and waste of funds






Jump Cuts





A jump cut is a technique in film editing where a single continuous sequential shot is broken into two parts, with footage being removed in order to render the effect of jumping forward in time. There are five different applications of this technique:

Style

The first jump cut example is to simply create a stylish presentation. Think of the opening character introductions in Guy Ritchie’s Snatch and how the jump cuts create a rhythm and style that lures us into this darkly comedic yet dangerous criminal underworld. We can also look at Terrence Malick’s films like The Tree of Life, a film presented as more of a memory and/or dream. In this case, we can see how to use jump cuts to create a lyrical or poetic narrative that isn’t beholden to strict and rigid structures.

Energy

The second jump cut example is used to create energy. Consider Run, Lola, Run and how our main character’s frantic race against time is accelerated by jump cuts. Or what about Mad Max: Fury Road where the action is adrenalized by cutting out nearly imperceptible frames.

Emotion

Closely related to this jump cut technique is when they are used to accent a particular mental state or emotion. Usually, this is a frenetic or fragmented frame of mind, which is a perfect opportunity for some creative jump cut tricks. Think of the moment in The Departed when Billy realizes his cover may have been blown. He packs his go-bag in a fit of panic and with some extremely subtle jump cuts, we can better understand his urgency.

Montage

The montage is also an opportunity to use jump cuts. As one of the primary benefits of the montage is to condense time and what better way to do that than with a jump cut? In Spielberg’s bleak Holocaust drama Schindler’s List, we have a short montage constructed solely with jump cuts. As Oskar interviews new secretaries, we use jump cut editing, along with blocking and staging, to tell the whole story.

Axial Cut

Finally, in our last jump cut example, we have the axial cut. An axial cut is more of a subtype of the jump cut as it doesn’t jump forward in time but rather towards or away from the subject along the same axis. Alfred Hitchcock used this technique often including the first moment of pure panic in Psycho as Marion is attacked in the shower. 

Survey - Radio Research



Radio Survey 

The link shown above is a survey that will be given to Regents Secondary School high school students. The data gained will be taken to create the best and highest quality radio for our project. 

Representations



Representation is how media texts deal with and present gender, age, ethnicity, national and regional identity, social issues and events to an audience. Media texts have the power to shape an audience’s knowledge and understanding about these important topics.

This makes them very powerful in terms of influencing ideas and attitudes. An example of a representation in media are that people of Asian descent or "Asians" are depicted as scrawny, nerdy, and smart people. Representation can be either negative or positive, representation also ties into together along with stereotypes.

Negative Representation of Asians

In this case, the video shown of the Asian character (Lawrence) is a negative representation because he is shown to be an outcast and lacks self-esteem because of this. He is depicted to have a nerdy image with his outfit.

 Lawrence (School of Rock)


Positive Representation of Asians

The video shown here is an example of a positive representation of Asians. This can be seen from the fact that the Asian character (Shang-Chi) is in fact a superhero, which fully contrasts the negative representations and subverts the audience's expectation of Asians being weak and nerdy when Shang-Chi is shown to be both skilled and powerful.